Some of these may be paywalled. You can contact me for a copy of the published pdf.
- ‘Monumental Origins of Art History: Lessons from Mesopotamia’, History of Humanities 9 (2024): 377–99. Accepted version.
- ‘Remote Art and Aesthetics: An Introduction’, British Journal of Aesthetics 64 (2024): 267–78 (with Ancuta Mortu and Mark Windsor).
- Ancuta Mortu, Jakub Stejskal, Mark Windsor, eds., ‘Remote Art: Engaging with Art from Distant Times and Cultures’, special issue of the British Journal of Aesthetics 64, no. 3 (2024).
- Objects of Authority: A Postformalist Aesthetics (New York: Routledge, 2023).
- ‘Aesthetic Archaeology’, Critical Inquiry 48 (2021): 144–66.
- ‘Visual Style Hermeneutics: From Style to Context’, World Art 11 (2021): 201–227.
- ‘On the Historical Reconstruction of Aesthetic Attention: A Comment on Bence Nanay’s Aesthetics as Philosophy of Perception’, Studi di Estetica 47 (2019): 233–39.
- ‘Substitution by Image: The Very Idea’, Journal of Aesthetics and Art Criticism 77 (2019): 55–66.
- ‘The Substitution Principle Revisited’, Source: Notes in the History of Art 37 (2018): 150–57.
- ‘A Post-culturalist Aesthetics? A Commentary on Davis’s “Visuality and Vision”’, Estetika 54 (2017): 267–76.
- ‘Art’s Visual Efficacy: The Case of Anthony Forge’s Abelam Corpus’, RES: Anthropology and Aesthetics 67/68 (2016/17): 78–93.
- ‘Art and Bewilderment’, British Journal of Aesthetics 56 (2016): 131–47.
- ‘Art-Matrix Theory and Cognitive Distance: Farago, Preziosi, and Gell on Art and Enchantment’, Journal of Art Historiography, no. 13, 2015.